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Amelita Galli-Curci - The Complete Acoustic Recordings (Volume I:1916-20)

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Music : Classical : Lossless
 
Amelita Galli-Curci(1882-1963) was one of the
first female operatic stars of the phonograph. Among the many tributes paid her was one from Compton Mackenzie, the
founder of Gramophone magazine, who said he could accept old age if he had as many records of Galli-Curci as of Caruso.


Her background was Italian and Spanish. Born Amelita Galli, she was a piano student in a well-to-do musical
household. The well-known opera composer Mascagni visited her parents and on hearing her play and sing recommended that
she become a singer. After that, Amelita diligently taught herself. She made her debut in 1906 as Gilda in Rigoletto,
which remained a favorite role, and she took about ten years -- a fairly typical amount of time -- to become a star. She
married the Marchese di Sineri and added his family name of Curci to her own. On her birthday in 1916 she scored a major
triumph in Chicago, in Rigoletto, that made her an international star. 

She had a fluid, clear, very
beautiful voice and a great gift for sustaining lyric lines. She was at her best in roles calling for grace, pathos, and
happiness and had neither the stage temperament nor the dramatic style needed for fiery, tempestuous parts. She is said
to have lacked stage presence. Her voice recorded very well, particularly in the acoustic process, where it was taken
down with such clarity and resonance that listeners supposed it was a large-sounding voice, which it was not, in person.
The adjective that live listeners used frequently for her voice was "celestial." Her range at her peak was to
the E above high C. 

During the last days of the acoustic recording era (around 1924) musicians began to
notice a curious lack of precision in intonation above the note F. At the same time, the top notes of her range began to
lose their penetration. This was at the same time the shift to electrical recording took place. In 1935 it was
discovered that she had a goiter, a form of throat tumor that had progressively been closing off the flow of her breath.
It was surgically removed, but she never recovered her vocal powers. 


Amelita Galli-Curci - The
Complete Acoustic Recordings (Volume I:1916-20)
Romopone 81003-2 (2CD 1993)

Transfers and audio
restoration by Ward Martson

flac, tracks, no log                                                             

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